Remember Saturday morning cartoons as a child? Before cable television and the internet we only had four or five channels to pick from and Saturday mornings were a time for cereal and old school cartoons. Well now you can revisit those old cartoon classics!
He's short, balding, ornery and downright ugly by anyone's standards. But countless numbers of fans have grown up admiring and identifying with this unpretentious hero since his introduction to the public in 1929. That's right, it's Popeye the Sailorman!
Popeye is an underdog with a long fuse and a keen sense of fair play. Everyone identifies with him when he finally says, "Tha's all I can stands, and I can't stands no more!" And it seems only fitting that our most unlikely hero would fall for the least likely of sex symbols: Olive Oyl. Flat as a board, with a pickle-shaped nose and fickle heart to match, Popeye's "goil" puts him through his paces. Her only real competition is spinach.
Popeye made his first public appearance Jan. 17, 1929, in Elzie Segar's then 10-year-old comic strip, "Thimble Theatre," which originally revolved around Olive Oyl's family. Although he was introduced as a minor walk-on character, Popeye quickly "muskled" his way into the limelight and eclipsed the older characters to become the star of "Thimble Theatre." With Popeye came a host of new, off-beat funny folks such as Swee'Pea, the "infink" Popeye adopted; J. Wellington Wimpy, the world's most hamburger-obsessed moocher; and Bluto, the hairy "heavy" with the glass jaw.
Segar had a genius for creating strong, memorable characters the entire world knows and loves. "Not even Walt Disney's Mickey Mouse or Warner Bros.' Bugs Bunny can top Popeye in the high profile department ... (because) both the Rodent and the Wabbit have known long stretches of inactivity between film appearances ... (but) the monocular seafarer has seldom been caught without a new adventure in the works," wrote Michael H. Price of The New York Times News Service.
Popeye made his film debut in Popeye the Sailor, a 1933 Betty Boop cartoon (Betty only makes a brief appearance, repeating her hula dance from Betty Boop's Bamboo Isle). It was for this short that Sammy Lerner's "I'm Popeye the Sailor Man" song was written. I Yam What I Yam became the first entry in the regular Popeye the Sailor series.
For the first few cartoons, the opening-credits music consisted of an instrumental of "The Sailor's Hornpipe," followed by a vocal variation on "Strike Up the Band (Here Comes a Sailor)," substituting the words "for Popeye the Sailor" in the latter phrase. After that the "I Yam What I Yam" tune was used as the theme song. As Betty Boop gradually declined in quality as a result of the Hays Code being enforced in 1934, Popeye became the studio's star character by 1936.
The character of Popeye was originally voiced by William "Billy" Costello, also known as "Red Pepper Sam." When Costello's behavior allegedly became a problem, he was replaced by former in-betweener animator Jack Mercer, beginning with King of the Mardi Gras in 1935. Jack Mercer copied Costello's gravelly voice style familiar to audiences. Olive Oyl was voiced by a number of actresses, the most notable of which was Mae Questel, who also voiced Betty Boop. Questel eventually took over the part completely until 1938. William Pennell was the first to voice the Bluto character from 1933 to 1935's "The Hyp-Nut-Tist", after which Gus Wickie voiced Bluto until his death in 1938, his last work as the "Chief" in Big Chief Ugh-A-Mug-Ugh. Nearly 750 Popeye cartoons were made and many are available on video.
Known as Iron Arm in Italy, Karl Alfred in Sweden and Skipper Skraek or "Terror of the Sea" in Denmark, Popeye continues to appear in comic books published around the world.
Interestingly, Popeye's spinach obsession began in the Thimble Theatre strip but became an indispensable plot device in his later animated adventures. Spinach capital Crystal City, Texas, erected a statue in 1937 to honor E.C. Segar and Popeye for their influence on America's eating habits, making Popeye the first cartoon character ever immortalized in public sculpture. The spinach growers credited Popeye with a 33 percent increase in U.S. spinach consumption — and saving the spinach industry in the 1930s!
Today the sailorman has made Popeye-brand canned spinach the No. 2 brand behind Del Monte and he has his own brand of fresh spinach, salads and fresh vegetable snacks. He has also punched up supermarket sales of everything from Pepsi to popcorn, not to mention millions of T-shirts, caps, jackets, collectors' watches. In fact, Popeye was the first character to invade, in an important way, the toy and novelty field. From tin wind-up toys to puzzles and kazoo pipes, early Popeye novelty merchandise now carries staggering price tags in antique shops and flea markets.
And, speaking of collectibles, the U.S. Postal Service featured Popeye in its "American Comic Classics" collection of postage stamps issued to celebrate the 100th anniversary of the comic strip.
Popeye continues to be one of the most widely recognized and beloved characters in the world. It's amazing what a little spinach can do!
Woody Woodpecker, Casper the friendly ghost, Popeye, Superman, and Betty Boop are just a few familiar names that can be seen in this weeks Saturday Morning Cartoon line up!
When I mention names like "Betty Boop", "Superman" or "Popeye" most people know that I am talking about some of the greatest cartoon characters ever created. When I mention the name Max Fleisher, however, a majority of people just look at me with a blank stare. Max Fleisher, along with his younger brother Dave, started Fleisher Studios who were responsible for bringing us all of those classic Fleisher Cartoons.
The company had its start when Max Fleischer invented the rotoscope, which allowed for extremely lifelike animation. Using this device, the Fleischer brothers got a contract with Bray Studio in 1919 to produce their own series called Out of the Inkwell, which featured their first characters, the as yet unnamed Koko the Clown, and Fitz the Dog, who would evolve into Bimbo in 1930. Out of the Inkwell became a very successful series. As the Bray theatrical operation started to diminish, the brothers began their own studio in 1921. Dave served as the director and supervised the studio's production, while Max served as the producer. The company was known as Out of the Inkwell Films, Incorporated, and later became Fleischer Studios in January, 1929.
In October of 1929, the Fleischers introduced a new series called Talkartoons. Earlier entries in the series were mostly one-shot cartoons, but Bimbo would become a staple of the series. Bimbo was upstaged by his girlfriend, Betty Boop, who quickly became the star of the studio, and by August 1932, the Talkartoon series was renamed as Betty Boop cartoons; Fleischer Studios also gained more success by using Cab Calloway in three Betty Boop cartoons. Betty was the first featured female character in American animation, and she reflected the distinctive adult urban orientation of the studio's product.
Throughout the 1920s, Fleischer was one of the top producers of animation, with clever humor and numerous innovations including the Rotograph, an early photographic process for compositing animation with live action backgrounds. Other innovations included Ko-Ko Song Car-Tunes, sing-along shorts (featuring the famous "bouncing ball"), which were a sort of precursor to Karaoke. From May 1924 to September 1926, the studio used Dr. Lee De Forest's Phonofilm sound-on-film process to produce 19 early cartoons with synchronized sound tracks, including Come Take a Trip in My Airship, Darling Nelly Gray, Has Anybody Here Seen Kelly and By the Light of the Silvery Moon. The Ko-Ko Song Car-Tunes series ended in 1927, but returned as the Screen Songs series from 1929 to 1938.
