Showing posts with label Cuba. Show all posts
Showing posts with label Cuba. Show all posts

Saturday, October 9, 2010

Ernesto (Che) Guevara (June 14, 1928 - October 9th, 1967)

"On October 9th, 1967, Ernesto "Che" Guevara was put to death by Bolivian soldiers, trained, equipped and guided by U.S. Green Beret and CIA operatives. His execution remains a historic and controversial event; and thirty years later, the circumstances of his guerrilla foray into Bolivia, his capture, killing, and burial are still the subject of intense public interest and discussion around the world."






Ernesto (Che) Guevara was born to Celia de la Serna y Llosa and Ernesto Guevara Lynch in Rosario in Argentine on June 14, 1928. He was the eldest of five children in a white Argentine family of Spanish, Basque and Irish descent.
I had long been fascinated by the stern-faced revolutionary staring out from t-shirts, flags, banners and pamphlets; an iconic image that has come to signify restlessness and revolution, eternal vigilance and the struggle against tyranny. Long before I knew who he really was or what he stood for, Che Guevara was as recogniseable to me as John Lennon or Colonel Sanders.
The image is based on a photo, "Guerillero Heroico" by Albert Korda taken at a memorial service in 1960 and was hardly known about until after his death when it became the most commonly used image of him, easily reproduced in two tone black and white for lithographs and stencils. The original photo however, does indeed contain magic - there is something in Che's intense glare that captures the viewer in a way that few portrait photographs have managed. As a revolutionary symbol, Che has never lost his appeal to the students, dissidents and artists across the globe who continue to use the image in political rallies and protests almost as a statement of purpose; by carrying the visage of Che, perhaps the steely-eyed resolve of Guevara will serve as a warning to any opposition that the protest is as serious and unflinching as the man himself.
Because photographer Korda never sought royalty payments for the reproduction of the image, coupled with its enigmatic nature meant that it was quickly and wholeheartedly sucked into the milieu of revolutionary culture. Korda himself observed that as a fellow advocate of Che's socialist ideals and a former staff photographer of Fidel Castro, it would be hypocritical to seek payment for a photograph used to promote Che's revolutionary ideals. Korda sued over the use of the image just once during his lifetime; when it was appropriated by Smirnoff to promote vodka. Korda observed that advertising was against the spirit (no pun intended) of the image and that Guevara himself was teetotal. The action settled out of court, and the proceeds were donated by Korda to the Cuban Health System.
In part due to Guevara's unsettlingly Christ-like countenance, the image has raised him to a level of popularity many political leaders actively aspired to. The socio-political phenomenon known as 'the cult of personality' has often been used by revolutionary politicians and dictators such as Mao, Stalin, Hitler and even today by Kim Jong Il of North Korea, bestowing upon the glorious leader an almost god-like status demanding full and unwavering acquiesence from his countrymen. The cult of personality requires a slick and cunning propaganda machine in order to exalt the heroic deeds of the leader, turning ordinary actions (and often complete falsehoods) into folklore. I would contend that Che has become the subject of a cult of personality of sorts; the propaganda is more often than not passed by word of mouth from the recollections of those who fought beside him. The written word is based in part on the diaries he left behind, mere glimpses into the psyche of a man who was more than likely aware that his actions would one day make him a figure of historical discussion and debate. Castro himself understood the value of Che's popularity and now Guevara is so intrinsically linked to the Cuban revolution that he is often wrongly identified as Cuban. The famous image is arguably more identifiable to the average Westerner than the flags of Argentina, Cuba or Bolivia and undoubtedly plays an important role in this.
Guevara could not have foretold that his image would one day balance precariously between revolutionary symbol and gaudy sales gimmick. More than 40 years after his death, Che will remain a revolutionary enigma. A cold and ruthless killer, he was also a gifted doctor. Despite his privileged upbringing, he was acutely aware of those less fortunate than himself. And despite the complete and utter failure of his shambolic campaign to oust the Bolivian Government, his death is remembered as the heroic last stand of a martyr; dying for the cause he believed in.

Thursday, October 7, 2010

KORDAVISION -The Man Who Shot Che Guevara

A CUBAN REVELATION
No other image in history has been reproduced as many times as Alberto Korda’s portrait of Che Guevara. That shot, taken at a memorial service on March 5, 1960, became the international symbol of protest and rebellion, yet the photographer never profited from the image he gave to the world. As Fidel Castro’s personal photographer, the man born as Alberto Diaz Gutierrez captured more than 12,000 images of the Cuban Revolution as it unfolded. His photographs have garnered international acclaim, decorated museum galleries, and adorned more T-shirts and bedroom walls worldwide than anyone could possibly calculate. In spite of his fame, Alberto Korda remains one of the most humble artisans the world has ever known.


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Original "Crying Che" by figment'68

From 1998 to 2001, director Héctor Cruz Sandoval accompanied Korda to the sites of his most famous photographs where the circumstances behind each were recounted, granting a poignancy and insight to the life of one of the most celebrated photojournalists of our time. Kordavision is a Cuban Revelation, from Korda’s pioneering work in the world of fashion photography to his groundbreaking exploration of underwater optical imaging, A career spanning fifty years comes full circle when the artist is reunited with his subject. In an intimate, preconception-shattering interview, Fidel Castro pays tribute to the man whose photographs documented The Revolution, and whose spirit and destiny encapsulate that of his homeland.

 
 
 
 "On October 9th, 1967, Ernesto "Che" Guevara was put to death by Bolivian soldiers, trained, equipped and guided by U.S. Green Beret and CIA operatives. His execution remains a historic and controversial event; and thirty years later, the circumstances of his guerrilla foray into Bolivia, his capture, killing, and burial are still the subject of intense public interest and discussion around the world."

Wednesday, September 29, 2010

Who is that guy on your T-shirt?

"On October 9th, 1967, Ernesto "Che" Guevara was put to death by Bolivian soldiers, trained, equipped and guided by U.S. Green Beret and CIA operatives. His execution remains a historic and controversial event; and thirty years later, the circumstances of his guerrilla foray into Bolivia, his capture, killing, and burial are still the subject of intense public interest and discussion around the world."







Ernesto (Che) Guevara was born to Celia de la Serna y Llosa and Ernesto Guevara Lynch in Rosario in Argentine on June 14, 1928. He was the eldest of five children in a white Argentine family of Spanish, Basque and Irish descent. Very early on in life Ernestito (as he was then called) developed an "affinity for the poor." Growing up in a family with leftist leanings, Guevara was introduced to a wide spectrum of political perspectives even as a boy.
Years later, a February 13, 1958, declassified CIA 'biographical and personality report' would make note of Guevara’s wide range of academic interests and intellect, describing him as "quite well read" while adding that "Che is fairly intellectual for a Latino."
In 1948, Guevara entered the University of Buenos Aires to study medicine. However, his "hunger to explore the world" led him to intersperse his collegiate pursuits with two long introspective journeys that would fundamentally change the way he viewed himself and the present economic conditions in Latin America. The first expedition in 1950 was a 4,500 kilometer (2,800 mi) solo trip through the rural provinces of northern Argentina on a bicycle on which he installed a small motor. This was followed in 1951 by a nine month 8,000 kilometer (5,000 mi) continental motorcycle trek through most of South America. For the latter, he took a year off from studies to embark with his friend Alberto Granado, with the final goal of spending a few weeks volunteering at the San Pablo Leper colony in Peru. His experiences and observations during these trips led him to conclude that the region's ingrained economic inequalities were an intrinsic result of monopoly capitalism, neocolonialism, and imperialism, with the only remedy being world revolution. This belief prompted his involvement in Guatemala's social reforms under President Jacobo Arbenz, whose eventual CIA-assisted overthrow solidified Guevara's radical ideology. Later, while living in Mexico City, he met Raúl and Fidel Castro, joined their 26th of July Movement, and travelled to Cuba aboard the yacht, Granma, with the intention of overthrowing U.S.-backed Cuban dictator Fulgencio Batista. Guevara soon rose to prominence among the insurgents, was promoted to second-in-command, and played a pivotal role in the successful two year guerrilla campaign that deposed the Batista regime.
October 9, 1967. After a few false starts and Che's telling them to get it over with, six or more shots are fired into Guevara's torso. One version of his reported last words were: "I knew you were going to shoot me; I should never have been taken alive. Tell Fidel that this failure does not mean the end of the revolution, that it will triumph elsewhere. Tell Aleida to forget this, remarry and be happy, and keep the children studying. Ask the soldiers to aim well." Others have claimed his last words to have been: "Shoot, coward! You are going to kill a man."
"Cryig Che" by figment'68
 Che Guevara's relevance is two-fold. Primarily, his life represents the archetype of revolutionary in the late 20th century political theater. The publication of a slew of books, and the timely recovery of his bones in conjunction with the mainstream media movies led the recent surge in the popularity of the nineteen-sixties guerrilla leader. The famous photograph of Che in black beret taken by Korda has become an icon all over the world. On the other hand, the blatant and nothing less than pornographic whoring of this image vividly illustrates the dangers of mediated manipulation and recontextualization of a threatening personality. His image is used by everyone from politically subversive rock bands to advertisers seeking credibility. In Cuba and many parts of Latin America, he is spoken of in an almost Christ-like reverence. The Cuban government actively cultivates a "Che mythos", exploiting the nostalgia for the good old revolutionary days. It would be a sad, but telling, fate if Che ended up only being remembered as fashionable martyr-rebel icon for Madsion Avenue. The imperative here is to not become seduced by the advertized images and empty slogans; but to see through it into the complexities and, at times, difficult aspects of the extraordinary person that was Che Guevara.