Showing posts with label Cartoon. Show all posts
Showing posts with label Cartoon. Show all posts

Saturday, November 20, 2010

Saturday Morning Cartoons!

Remember Saturday morning cartoons as a child? Before cable television and the internet we only had four or five channels to pick from and Saturday mornings were a time for cereal and old school cartoons. Grab your pop-tarts and pull up a rug it's time for Saturday Morning Cartoons!





The early version of Woody Woodpecker, as seen...Image via WikipediaWoody Woodpecker first appeared in the film Knock Knock on November 25, 1940. The cartoon ostensibly stars Andy Panda and his father, Papa Panda, but it is Woody who steals the show. The woodpecker constantly pesters the two pandas, apparently just for the fun of it. Andy, meanwhile, tries to sprinkle salt on Woody's tail in the belief that this will somehow capture the bird. To Woody's surprise, Andy's attempts prevail, and Woody is taken away to the funny farm — but not before his captors prove to be crazier than he is.

According to Walter Lantz's press agent, the idea for Woody came during the producer's honeymoon with his wife, Gracie, in Sherwood Lake, California. A noisy woodpecker outside their cabin kept the couple awake at night, and when a heavy rain started, they learned that the bird had bored holes in their cabin's roof. As both Walter and Gracie told Dallas attorney Rod Phelps during a visit, Walter wanted to shoot the thing, but Gracie suggested that her husband make a cartoon about the bird, and thus Woody was born. The story is questionable, however, since the Lantzes were not married until after Woody made his screen debut. Also, their story that the bird's cry inspired Woody's trademark "Ha-ha-ha-HAA-ha!" is also questionable, as Mel Blanc had already used a similar laugh in earlier Warner Bros. cartoons such as Elmer's Candid Camera.

The Woody of Knock Knock was designed by animator Alex Lovy. Woody's original voice actor, Mel Blanc, would stop performing the character after the first four cartoons to work exclusively for Leon Schlesinger Productions (Later renamed Warner Bros. Cartoons) , producer of Warner Bros.' Looney Tunes and Merrie Melodies. At Schlesinger's, Blanc had already established the voices of two other famous "screwball" characters who preceded Woody, Daffy Duck and Bugs Bunny. Ironically, Blanc's characterization of the Woody Woodpecker laugh had originally been applied to a Bugs Bunny prototype, in shorts such as the aforementioned Elmer's Candid Camera, and was later transferred to Woody. Blanc's regular speaking voice for Woody was much like the early Daffy Duck, minus the lisp. Once Warner Bros. signed Blanc up to an exclusive contract, Woody's voice-over work was taken over by Ben Hardaway, who would voice the woodpecker for the rest of the decade. To complete the connection full circle, Hardaway, who had also worked under Schlesinger at Warner Bros., was the designer of the Bugs Bunny prototype that Blanc supplied the aforementioned laugh for. Haradaway's nickname around Termite Terrace (the ramshackle building where the Looney Tunes were originally produced) was "Bugs," and the bunny prototype's first model sheet was labeled "Bugs' Bunny"--the apostrophe was later dropped.

Woody WoodpeckerImage via WikipediaAs Lantz was struggling financially, Woody's longevity was secured when he made the jump to television in The Woody Woodpecker Show on ABC. The half-hour program consisted of three theatrical Woody shorts followed by a brief look at cartoon creation hosted by Lantz. It ran from 1957 to 1958 then entered syndication until 1966. It was later revived by NBC in 1970, and again in 1976. In addition, the woodpecker was no longer dishing out abuse to his foils, but was instead on the receiving end. The first notable short to feature Woody as the straight man was 1961's Franken-Stymied. Woody's popularity had been based on his manic craziness, and by 1961, this had all but been eliminated in favor of a more serious Woody, one that was trying to do good. This was due in part to Woody's large presence on television, which meant Lantz had to meet the stringent rules against violence for children's television.

Woody continued to appear in new theatrical shorts until 1972, when Lantz closed his studio's doors due to rising production costs. His cartoons returned to syndication in the late 1970s. Lantz sold his library of Woody shorts to MCA/Universal in 1985. Universal repackaged the cartoons for another syndicated Woody Woodpecker Show in 1987. A year later, Woody made a brief cameo in Who Framed Roger Rabbit, voiced by Cherry Davis, near the end of the film. In 1995, Woody appeared in a Pepsi commercial with NBA star Shaquille O'Neal.

Woody Woodpecker's star on the Hollywood Walk ...Image via WikipediaWoody Woodpecker reappeared in the Fox Kids series The New Woody Woodpecker Show, which ran on Saturday mornings from 1999 to 2002. For this series Woody's appearance was redesigned to look more like his mid-1940s look instead of the classic look he had sported for years afterward. To that effect, his crest was pushed back and his eyes were once again made green. Winnie Woodpecker, who had debuted in Real Gone Woody in 1954, became a semi-regular character as Woody's primary love interest. Like Woody, Winnie received a redesign that made her look almost exactly like Woody did from 1947 until 1972, with the obvious differences being that she was a female woodpecker and had blue eyes. Woody's primary antagonist was Wally Walrus, who became Woody's neighbor (Woody lived in a tree house in Wally's backyard). Buzz Buzzard often made appearances, as did Ms. Meany and several other older characters.

Saturday, October 30, 2010

Saturday Morning Cartoons! (Halloween Special)

Welcome boys and girls, guys and gals to this week's very special Saturday Morning Cartoons lineup! It's only one more day 'til Halloween! To celebrate, Anti-Society t.v. offers this spooky and kooky collection of cartoons for your viewing pleasure! From classic Casper the friendly Ghost to a Nightmare Before Christmas, this hauntingly-happy play-list is sure to bring out the little ghouls and goblins in each of us!






Halloween, celebrated each year on October 31, is a mix of ancient Celtic practices, Catholic and Roman religious rituals and European folk traditions that blended together over time to create the holiday we know today. Straddling the line between fall and winter, plenty and paucity and life and death, Halloween is a time of celebration and superstition. Halloween has long been thought of as a day when the dead can return to the earth, and ancient Celts would light bonfires and wear costumes to ward off these roaming ghosts. The Celtic holiday of Samhain, the Catholic Hallowmas period of All Saints' Day and All Souls' Day and the Roman festival of Feralia all influenced the modern holiday of Halloween. In the 19th century, Halloween began to lose its religious connotation, becoming a more secular community-based children's holiday. Although the superstitions and beliefs surrounding Halloween may have evolved over the years, as the days grow shorter and the nights get colder, people can still look forward to parades, costumes and sweet treats to usher in the winter season.

Saturday, October 23, 2010

Saturday Morning Cartoons!

Remember Saturday morning cartoons as a child? Before cable television and the internet we only had four or five channels to pick from and Saturday mornings were a time for cereal and old school cartoons. Well now you can revisit those old cartoon classics!





ATTENTION! These cartoons are in the public domain.

Saturday, October 9, 2010

Saturday Morning Cartoons!

Recently, while recounting some of the greatest old school screen exploits of Bugs Bunny and Daffy Duck, we’ve come across some pretty questionable cartoons. Between Daffy fighting Nazis and Japanese army pilots and Bugs Bunny being chased by a blackface Elmer Fudd, well, we thought we’d seen it all. Apparently not, though, as this weeks "Saturday Morning Cartoons" features those and many more, like this Merrie Melodies cartoon entitled “Goldilocks and the Jivin’ Bears”, which has a jazz band, gang violence and, well, isn’t terribly subtle. Grab yo' Eggo's and gather around the screen kiddies, it's time for Anti-Society's Saturday Morning Cartoons!





Saturday, October 2, 2010

Saturday Morning Cartoons!

Gather 'round boys and girls, it's time to take a lil' trip back to the 80's. The decade of bright, cheap plastic and loud neon colors galore! I have a feeling that many of you who grew up around the 1980’s and 1990’s probably remember some of the shows on this weeks play-list, along with many more.  From Rainbow Brite to Strawberry Shortcake, the 1980's Saturday Morning Cartoons lineup was colorful and sweet! Thinking about these shows makes me miss the good old days when Saturday Morning cartoons were interesting.





Thanx and gratitude to ItaLianQueen81 for this weeks cartoon compilation!


Saturday, September 11, 2010

Saturday Morning Cartoons!

The Rocky and Bullwinkle ShowImage via Wikipedia
Rocky & Bullwinkle  enjoyed popularity during the 1960s. It was targeted towards children and adults. The zany characters and absurd plots would draw in children, while the clever usage of puns and topical references appealed to the adult demographic.









It started with Jay Ward. Born in 1920, he was destine to become one of the most comical and satirical writers of animation to date. Teamed with funny man, Bill Scott, the duo crafted the earliest version of an animated television series.  In 1950, they had the honor of producing the first animated program made-for-television, "Crusader Rabbit." At first believed to be a risky venture (After all, who had the ability to make an animated feature with a TV show's budget? ). With much luck, the transfer of animation to the silver screen, to the small screen was a major success. Ward and Scott did not have access to large amounts of supplies and often supplemented animation to only its basic functions. For example, instead of an entire character moving, only their mouth or hands would move, leaving the rest of the character as a still image. This process saved time and resources in the process of creating animated images. Plastic cels that were painted on were washed and reused to save even more money. The whole "game" of animation was now different. Crusader Rabbit lasted two years on early network television.

"The Frostbite Falls Review" idea lead way to 'Rocky and His Friends' in 1959, co-created with Alex Anderson. A new mix of ideas was used to create the "Rocky" show. First, many of the secondary characters were cut, which left only Rocky, the flying squirrel, and Bullwinkle the moose. Bullwinkle's name came from a friend of Jay Ward's, Clarence Bullwinkel, who was a property owner and landlord in Berkeley, California. The prime time cartoon premiered on November 29th at 6:30 p.m. on ABC. The series was an instant hit among children and adults. Kids loved the witty characters, while adults enjoyed the social commentaries and satire. ABC begged for more episodes, as the audience's demand for "Rocky" was at a fever pitch.

The series began with the pilot Rocky the Flying Squirrel. Production began in February 1958 with the hiring of voice actors June Foray, Paul Frees, Bill Scott, and William Conrad. Eight months later, General Mills signed a deal to sponsor the cartoon, under the condition that the show be run in a late-afternoon time slot, where it could be targeted toward children. Subsequently, Ward hired most of the rest of the production staff, including writers and designers. However, no animators were hired, since Ward was able to convince friends of his at Dancer, Fitzgerald, & Sample — an advertising agency that had General Mills as a client — to buy an animation studio in Mexico called Gamma Productions S.A. de C.V. (originally known as Val-Mar Animation). This outsourcing of the animation for the series was considered financially attractive by primary sponsor General Mills, but caused numerous problems. Bill Scott, when interviewed by animation historian Jim Korkis in 1982, described some of the problems that arose in the production of the series:

    "We found out very quickly that we could not depend on Mexican studios to produce anything of quality. They were turning out the work very quickly and there were all kinds of mistakes and flaws and boo-boos...They would never check...Moustaches popped on and off Boris, Bullwinkle's antlers would change, colors would change, costumes would disappear...By the time we finally saw it, it was on the air."

While The Adventures of Rocky and Bullwinkle flip-flopped from local stations' early morning animation blocks to Nickelodeon (they renamed it Moose-O-Rama?!) in the early 1990's, the fans remained true, supporting the series. Luckily the moose and squirrel found a stable home in 1996 when Turner Broadcasting's Cartoon Network picked up the series. The channel now has become a meeting place for other of classic cartoons. In 1998, Cartoon Network also acquired the rights to The Dudley Do-right Show, making it the ultimate place for Rocky and Bullwinkle fans. Both shows have since moved to Cartoon Network's sister station Boomerang, a classic cartoon channel.

Today Rocky and Bullwinkle still live on in national commercials, a feature film, and the hearts of viewers. 

Saturday, September 4, 2010

Saturday Morning Cartoons!

 
Woody Woodpecker, Casper the friendly ghost, Popeye, Superman, and Betty Boop are just a few familiar names that can be seen in this weeks Saturday Morning Cartoon line up!






When I mention names like "Betty Boop", "Superman" or "Popeye" most people know that I am talking about some of the greatest cartoon characters ever created. When I mention the name Max Fleisher, however, a majority of people just look at me with a blank stare. Max Fleisher, along with his younger brother Dave, started Fleisher Studios who were responsible for bringing us all of those classic Fleisher Cartoons.
The company had its start when Max Fleischer invented the rotoscope, which allowed for extremely lifelike animation. Using this device, the Fleischer brothers got a contract with Bray Studio in 1919 to produce their own series called Out of the Inkwell, which featured their first characters, the as yet unnamed Koko the Clown, and Fitz the Dog, who would evolve into Bimbo in 1930. Out of the Inkwell became a very successful series. As the Bray theatrical operation started to diminish, the brothers began their own studio in 1921. Dave served as the director and supervised the studio's production, while Max served as the producer. The company was known as Out of the Inkwell Films, Incorporated, and later became Fleischer Studios in January, 1929.
In October of 1929, the Fleischers introduced a new series called Talkartoons. Earlier entries in the series were mostly one-shot cartoons, but Bimbo would become a staple of the series. Bimbo was upstaged by his girlfriend, Betty Boop, who quickly became the star of the studio, and by August 1932, the Talkartoon series was renamed as Betty Boop cartoons; Fleischer Studios also gained more success by using Cab Calloway in three Betty Boop cartoons. Betty was the first featured female character in American animation, and she reflected the distinctive adult urban orientation of the studio's product.

Throughout the 1920s, Fleischer was one of the top producers of animation, with clever humor and numerous innovations including the Rotograph, an early photographic process for compositing animation with live action backgrounds. Other innovations included Ko-Ko Song Car-Tunes, sing-along shorts (featuring the famous "bouncing ball"), which were a sort of precursor to Karaoke. From May 1924 to September 1926, the studio used Dr. Lee De Forest's Phonofilm sound-on-film process to produce 19 early cartoons with synchronized sound tracks, including Come Take a Trip in My Airship, Darling Nelly Gray, Has Anybody Here Seen Kelly and By the Light of the Silvery Moon. The Ko-Ko Song Car-Tunes series ended in 1927, but returned as the Screen Songs series from 1929 to 1938.

Saturday, August 28, 2010

Saturday Morning Cartoons!

Grab your cereal and pull up a rug, it's time for Saturday morning cartoons!


Saturday morning cartoons is the term for the animated television programming which was typically scheduled on Saturday mornings on the major American television networks from the 1960s to the 1990s. In the United States, the generally accepted times considered to be Saturday mornings are 8 a.m. to noon Eastern.
In a time not so long ago, Saturday mornings were indicative of one and only one pastime for children — watching cartoons. Throughout the '70s and '80s, the broadcast networks ABC, CBS and NBC dominated the Saturday morning airwaves by inundating children with cartoons. Cartoons on these networks used to earn ratings of more than 20 million viewers. Today, network Saturday morning cartoons only exist on ABC Kids, FOX Kids and Kids’ WB!, the latter two networks either did not exist or did not air cartoons two decades ago. Current successful cartoons on FOX Kids or Kids’ WB! can garner a mere two million viewers. That statistic does not even take into consideration that the population of children in the U.S. has increased by approximately ten percent over the last 20 years. Due to this precipice in viewers, network cartoons are left struggling to make money while advertisers remain befuddled without a mainstream channel to promote new toys and products to children. Why have children stopped tuning in on Saturday mornings to network cartoons and what are the ramifications of this change?
Six key factors have led to children watching less Saturday morning cartoons: more recreational sports, the introduction of cable and satellite TV, the Internet and video games, a poorer quality of animation, and a greater emphasis on family time. These factors are rather self-explanatory with the exception of the latter: the divorce rate of Americans now stands at 49 percent, and time on the weekends has become more precious for children as many commute between parents’ houses. For parents who only have limited access to their children due to either divorce or career advancement, plopping them down in front of the television for five hours on a Saturday morning is no longer a viable option. Among most parents, divorced or not, there is a new emphasis on "quality" time. Consequently, taking one’s children to the theater, mall, museum, event, zoo or beach on the weekend is deemed more appropriate to being a "good" parent, than letting kids sit and watch cartoons. To this effect, American society has changed substantially enough over the last two decades to the point where Saturday morning cartoons are less important to our culture.
Before cable TV, allocating time for children’s programming on broadcast networks was at a premium. In the ‘70s and ‘80s, there were essentially five networks: ABC, CBS, NBC, FOX and PBS. Consequently, these five networks had to cater to the tastes of all people. As a rule of thumb, networks aired children’s programming in times when adults did not want to watch TV. For this reason, cartoons were syndicated during weekday afternoons in the hours after children arrived from school and before adults arrived from work. Cartoons also appeared on Saturday and Sunday mornings. Sunday morning cartoons were always less successful than Saturday morning ones because they were in syndication on local channels rather than on broadcast networks, and they conflicted with many Americans’ church schedule. The most notable ‘80s Sunday morning cartoon block was The Funtastic World of Hanna-Barbara, featuring shows like Fantastic Max! and Don Coyote. In the end, Saturday mornings provided the longest number of consecutive hours on which to air cartoons and proved to be the most successful.
Will cartoons ever return to Saturday mornings to the same degree that they existed during the ‘70s and ‘80s? The answer is no. The reason for this is the same reason why people no longer watch silent movies or black and white TVs or primetime sitcoms where married couples sleep in separate beds: once things evolve, they seldom return to their simpler forms. Saturday morning cartoons were a phenomenon that now resides in the history books. It is an anomaly in the history of children’s broadcasting, the likes of which will never be seen again. For anyone who remembers the paramount of Saturday morning cartoons, they can keep those memories of childhood dear in their hearts and relive some of them here on AS t.v. every Saturday morning!

   











 

Saturday, July 24, 2010

It's Toon Time!

Remember Saturday morning cartoons as a child? Back before the time of Cable television and the internet all we had was four or five channels to pick from and Saturday morning cartoons was something that many children looked forward to all week. So grab you a big bowl of generic cereal and sit down to enjoy this great little classic "sing-a-long" cartoon from Famous Studios.
Originally released in 1948 it gained immense popularity in the 1950's and remained in popular syndication for many years. I remember seeing this as a child in the 1970's. An interesting piece of trivia is  that an image of a piece of shortening bread in blackface has been deleted from many prints.